Kylo Ren and the Kintsugi Theory

Kylo Ren and the Kintsugi Philosophy

Star Wars The Rise of Skywalker - Kylo Ren and the Kintsugi Philosophy 5
Star Wars The Rise of Skywalker – Kylo Ren and the Kintsugi Philosophy 5

With Kylo’s mask being reconstructed with some form of “red crystalline glue” for Star Wars: The Rise of Skywalker, could this be related to the Japanese philosophy of Kintsugi: The Art of  Precious Scars, where they reconstruct broken crockery by putting a lacquer mixed with gold on the breakage?

Star Wars The Rise of Skywalker - Kylo Ren and the Kintsugi Philosophy 5
Star Wars The Rise of Skywalker – Kylo Ren and the Kintsugi Philosophy 5

Kintsugi relates to the Japanese philosophy of “no mind”, which encompasses the concepts of non-attachment, acceptance of change, and fate as aspects of human life. So that we can learn from negative experiences, let the wounds leave a mark on us and take the best from them, convince ourselves that exactly these experiences make each person unique, precious.

Taking that as a basis can we speculate on how that philosophy could apply to Kylo and also Rey reforging the Skywalker lightsaber and how those things end up being related to the story.

One of the key messages from The Last Jedi was about failure and its implications, and how we should not hide them, talking about it along with the good things. Taking the breakage as a failure, we can try to trace what the reconstruction of the broken artifacts can mean in Episode IX.

Is it possible that Kylo repairing his helmet, will give him a new lease of life and become even more powerful thanks to its “scars”. The Japanese art of Kintsugi teaches that broken objects are not something to hide but to display with pride, as Kintsugi belongs to the Zen philosophy of wabi-sabi, which embraces the broken and flawed.

Star Wars The Rise of Skywalker - Kylo Ren and the Kintsugi Philosophy 5
Star Wars The Rise of Skywalker – Kylo Ren and the Kintsugi Philosophy 5

Kylo says in The Force Awakens he feels the pull to the light, and that he wants to see again the power of darkness. Referenced in The Visual Dictionary it says “As his power rises, it eclipses his past life leaving the young man isolated, Kylo Ren aspires to build immunity to the light side…to succeed where Darth Vader and his sentimentalism once failed”, bringing us back to the fact he sees Vader’s atonement as a failure.

With Kylo Ren in The Last Jedi, we clearly see how he apparently wasn’t fully immune to that “maudlinism“, since his conversations with Rey in the Supremacy’s throne room and how he killed Snoke and protected Rey from the Praetorian Guards, yet later we also see him revealing himself as the new Supreme Leader, pleading with Rey to join him at the expense of the Resistance and the Light Side. So if we apply the Kintsugi philosophy to Kylo and the reforging of his mask, we can expect him stronger in the Dark Side than ever before, eager to “finish what Vader started”, using the broken mask as a reminder of where he failed, from his certain point of view.

With the reconstruction of Skywalker’s lightsaber, can it mean an acceptance of the failures of the Jedi, and mean the regeneration of the Jedi Order as a whole, and the learnings that come with the failures the Jedi have committed in the past. Now with Rey being the last Jedi alive, the reconstruction of her lightsaber can mean acceptance of those failures and discovering and reaffirming the non-attachment rule, don’t be attached to the power of the Force or try to command it, just letting it flow through you.

If we speculate and look at it through the theory that Rey is, in fact, a Skywalker, this could have a much bigger meaning, since reforging hereditary weapons is a common analogy that comes with the acceptance of the failures of her own family. Reforging the Skywalker Lightsaber could represent Rey’s acceptance of Luke’s failures, his absence and not being what she needed him to be. Luke could also come to terms with his own failures, following on from his conversation with Yoda, it could also combine the acceptance of change and fate aspects of the philosophy for Rey since she would have to cope with the burden of being a Skywalker, a burden Luke didn’t want her having to carry, but it would be her fate, and this could finally finish with a great force ghost father-daughter reconciliation scene, just like the ending to Return of the Jedi.

But regardless of whether she’s a Skywalker or not, overall this could be a great final Skywalker Saga setup, Kylo wants to be stronger than Vader, but Rey will certainly be stronger than Luke, as he’s passed on all that he knows, and a thousand generations of Jedi now live inside her.

So, reforging the Skywalker lightsaber is the symbolism of a journey to restore a broken family’s story since Anakin, yet Kylo’s reconstruction of the helmet is a Kintsugi reminder of his failure.

Sources: Wikipedia/Stefano Carnazzi/Guy Keulemans

Gothic Abbey

One of my favourite photos I’ve taken this year, ideal for today’s Wordpress Daily Prompt Darkness

At the top of the 199 stairs stands the remains of all that’s left of Whitby Abbey, overlooking the graveyard of St Mary’s Church, the fictional final resting place of Bram Stoker’s Dracula the Prince of Darkness

NASA’s Space Tourism Posters

“Imagination is our window into the future. As you mark the passing of this year with these imaginative destinations, remember that you are the architects of the future. What we make and do will have a profound significance for generations to come. The impact of your efforts go beyond 2020, or even 2050. They will be felt for centuries to come. Be bold in your vision of what tomorrow can be, advance the edge of possibility, and let’s work together to make it come true.”

–  NASA JPL Director Charles Elachi

Visual strategists Joby Harris at NASA Jet Propulsion Laboratory, asked Seattle design firm Invisible Creature if they were interested in creating ‘travel posters’ for NASA last autumn, it was a bit of a dream come true job for Don Clark, who started Invisible Creature with his brother Ryan Clark in 2006. “We, of course, were ecstatic, just because our grandfather was an illustrator at NASA for 30 years, and so this is kind of our first NASA project.” The 3 commissioned pieces are part of JPL’s Visions Of The Future 2016 Calendar – an internal gift to JPL and NASA staff, as well as scientists, engineers, government and university staff. The artwork for each month will also be released as a free downloadable poster at the NASA JPL site soon, but all 3 three by Invisible Creature are shown below and are available to purchase from here.

The Grand Tour: NASA’s Voyager mission took advantage of a once-every-175-year alignment of the outer planets for a grand tour of the solar system. The twin spacecraft revealed stunning details about Jupiter, Saturn, Uranus and Neptune – using each planet’s gravity to send them on to the next destination. Voyager set the stage for such ambitious orbiter missions as Galileo to Jupiter and Cassini to Saturn. Today both Voyager spacecraft continue to return valuable science from the far reaches of our solar system.

Mars: NASA’s Mars Exploration Program seeks to understand whether Mars was, is, or can be a habitable world. Missions like Mars Pathfinder, Mars Exploration Rovers, Mars Science Laboratory and Mars Reconnaissance Orbiter, among many others, have provided important information in understanding of the habitability of Mars. This poster imagines a future day when we have achieved our vision of human exploration of Mars and takes a nostalgic look back at the great imagined milestones of Mars exploration that will someday be celebrated as “historic sites.”

Enceladus: The discovery of Enceladus’ icy jets and their role in creating Saturn’s E-ring is one of the top findings of the Cassini mission to Saturn. Further Cassini mission discoveries revealed strong evidence of a global ocean and the first signs of potential hydrothermal activity beyond Earth – making this tiny Saturnian moon one of the leading locations in the search for possible life beyond Earth.

Do or do not, There is no try.